16 February 1731 - 5 January 1818) was an Italian painter of the late-baroque and Neoclassic periods. He studied in Rome under Marco Benefial. In 1750 he was called to Dresden, Saxony, where he was employed by Elected King Augustus III of Poland; after whose death he went to Vienna, and thence to Warsaw. There he met and worked by the side of Italian painter in Dresden, Vienna and Warszawa , Bernardo Bellotto. He was the Director there of the new set up Academy of Arts of Warsaw.He painted a set of the Polish kings, from Boleslaus Chrobry downwards. That of Stanislaus II, Stanisław August Poniatowski has been engraved by A. de Marcenay de Ghuy, Kestner, and A. Fogg. Bacciarelli also painted scenes from the History of Poland. He died at Warsaw. A number of his paintings were painted for King Stanisław August Poniatowski of Poland and are in the Royal Castle in Warsaw.  Related Paintings of Marcello Bacciarelli :. | Portrait of Anna Teofila Potocka | Portrait of Apolonia Ustrzycka and her son Stanislaw. | Portrait of king Wladyslaw I the Elbow-high. | Stanislaw II August Poniatowski | Portret Stanislawa Augusta |
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Hippolyte Boulenger
(1837 - 1874) was a Belgian landscape painter influenced by the French Barbizon school, considered to be "the Belgian Corot". Hippolyte Boulenger was born to French parents in Tournai in 1837. He spent his youth in Tournai and lived in Paris between 1850 and 1853, where he studied drawing. In 1853, after he became an orphan, he went to Brussels to work at a design atelier. In the evening, he studied at the Academie Royale des Beaux-Arts with Joseph Quinaux, a landscape painter. He met portrait painter Camille Van Camp in 1863, who became a mentor and mecenas. He showed his first painting in the Brussels Salon the same year. Boulenger went to Tervuren in 1864, and called round him a group of likeminded painters gathered there, the School van Tervuren, a Belgian version of the Barbizon school, of which he became the leading artist. At the time, his leading model was Jean-François Millet, although his later work was closer to that of Corot. By 1866, he was famous in Belgian art circles. He married in 1868 and moved to Zaventem, but returned to Tervuren in 1870. These years were his best and most fruitful period, with e.g. the painting De oude Haagbeukdreef. Tervuren, which won him the Gold Medal of the 1872 Salon of Brussels. In this period, he travelled in Belgium and abroad, painting along the River Meuse. It was his suggestion that led to the creation of the Societe Libre des Beaux-Arts, an art circle of young Belgian artists, including Alfred Verwee, Felicien Rops, and Constantin Meunier, with honorary members from abroad like Corot and Millet, but also Honore Daumier, Gustave Courbet and Willem Maris. By 1869, he began to suffer from epilepsy. Coupled with alcohol abuse, this led to an early death, in 1874 in a hotel in Brussels.
ROMANELLI, Giovanni Francesco
Italian painter, Roman school (b. 1610, Viterbo, d.1662, Viterbo). Italian painter and draughtsman. He was the pupil first of Domenichino, then of Pietro da Cortona; his work also shows the influence of Bernini (in some of whose projects he became involved) and of Poussin. His calm and graceful synthesis of these extremes of austere Baroque classicism and High Baroque ebullience was prophetic of the effects of the Roman Late Baroque and of the generalized style of public painting that spread throughout Europe in the late 17th century and the early 18th.
Pablo de San Leocadio
Italian-born Spanish Painter, 1447-ca.1520